This paper is part of Regulating the sharing economy , a special issue of Internet Policy Review guest-edited by Kristofer Erickson and Inge Sørensen. Disclaimer: This study was completed with the support of the German service sector union ver.di. We would like to thank the participating platforms and their communities for the opportunity to
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The system of national collecting societies provided a relatively stable framework for licensing musical works – until the internet changed the field of music distribution. The GEMA-Youtube case serves as a starting point to discuss the future of collective copyright management.